My ideal of Prussian womanhood has always been Maria Gräfin von Maltzan. I was lucky to meet her shortly before she died in Berlin, about thirteen years ago. She was a cigarillo-smoking animal-lover and had led the special life of a Prussian adventuress. Her father – there was a big portrait of him in her Berlin apartment even in the 1990s – had died in 1921; Maria was 12 and found herself in constant conflict with her widowed mother. Abitur, a doctorate in biological sciences, a trip across Africa in a battered Chevrolet; a short marriage with a cabarettist, years in the anti-Nazi resistance. For three years she hid her Jewish partner Hans Hirschel from the Gestapo. After the war she became a vet for the Busch circus, touring the world.
Typisch preussisch? I think so: She was kantig, dry, big-hearted, a Hasardeurin. But the mystery for me has always been how such women emerged from Prussia. The Kingdom was, of course, a male domain: war, drill, discipline, a straight back in the saddle. You rarely hear about the women. As depicted in paintings and literature, they were respected for their beauty, their child-bearing stamina and (though this was rarely admitted in public) an ability to balance account books. One simple explanation for the strength of Prussian women could be the perennial absence of Prussian men. When they went out to battle, it was the women who ran the household, fed children and, in the case of the last war, defended themselves and their family homes against Russian soldiers as they swept through Ostpommern.
Another explanation: Prussian manhood was not, in Wilhelmine times, quite what it used to be. We have all heard the stories of Prussian aristocrats (male) dressing up in ballet tutus at the Kaiser’s court (something I would like to see introduced in Merkel’s Kanzleramt). A new book describing the sexual goings on at the Jagdschloss Grunewald in the winter of 1891 – ending in a deadly duel – makes it clear that manliness and honour were getting a bit tangled up in the Berlin court. Confused Prussian males: sufficient reason, perhaps, for Prussian women to become more independent and outspoken.
But I couldn’t help feeling that there were more to learn about Prussian womanhood. Thank goodness for a new exhibition – Preussens Eros, Preussens Musen – at the old coachhouse in Potsdamer Neuer Markt. It is a collection of not particularly brilliant paintings, sketches and photographs depicturing Prussian women through the centuries. The pictures are linked to biographies in a very cleverly edited catalogue. And there the full melancholy and determination of the women is revealed. You can look into the eyes of Cecilie, the Prussian crown princess, and see a kind of stoicism unusual in a 22 year old. Her hair is pinned up underneath a bonnet, she is fingering a sapphire necklace; Philip de Laszlo’s portrait seems to be conventional enough, the princess’ skin fashionably translucent. But there is a sense too that she knows of her husband’s adulteries and that she has decided to ignore them and get on with her own life. The marriage was effectively over by 1913 and Cecilie managed the household by herself from August 1914 until the Crown prince returned from exile in 1923. It is a royal portrait but also a picture of a frontierswoman, someone very practical and impatient of men.
Go to see these portraits: of Hedwig Weisbach, her shoulders bare, a fur lined leather coat. Seemingly a straight forward oil painting of a Prussian beauty – but in fact an idealised image painted in 1884 at the orders of her husband. Hedwig, depressed, had run away from him. Or: Therese Ravené – her curled red hair looking more like the product of an Ossi Frisör ca. 1988 than Königsberg 1872. She too broke free from a marriage. Fontane wrote his L’Adultera about her.
What is specifically Prussian about these women? Christina Tilmann, writing about the photographs of Marlene Dietrich, sums it up: “Die Strenge mit sich selbst, die eiserne Disziplin und das Mütterliche wird sie behalten, auch als sie längst ein Star ist… das Pflicht und Ehrgefühl das sie von Jugend an gepredigt bekommen hat, bestimmt bis zum Ende ihr handeln.” Until the end of her chequered life Dietrich considered herself an Offizierstochter, rather than a diva.
So , say the Potsdam curators, it is possible to be both Prussian and a sensual women. Forget, please, Bavarian Barbaras and Ruhrpott Renates. Prussian women are practical and fearless and erotic and despite all that gute Kerle. Beate Uhse? An east Prussian adventurer. Stefanie von Guttenberg? A Bismarck. That is Prussia for you: bewaffnet aber sexy.
Roger Boyes next book is: “To Prussia with Love”, to be published next April by Summerdale press.

